There are scenes of all sorts some dreadful combats, some grand and lofty horse-riding, some scenes of high life, and some of very middling indeed some love-making for the sentimental, and some light comic business the whole accompanied by appropriate scenery and brilliantly illuminated with the Author's own candles. But persons who think otherwise, and are of a lazy, or a benevolent, or a sarcastic mood, may perhaps like to step in for half an hour, and look at the performances. I have no other moral than this to tag to the present story of 'Vanity Fair.' Some people consider Fairs immoral altogether, and eschew such, with their servants and families: very likely they are right. When you come home you sit down in a sober, contemplative, not uncharitable frame of mind, and apply yourself to your books or your business. An episode of humour or kindness touches and amuses him here and there-a pretty child looking at a gingerbread stall a pretty girl blushing whilst her lover talks to her and chooses her fairing poor Tom Fool, yonder behind the waggon, mumbling his bone with the honest family which lives by his tumbling but the general impression is one more melancholy than mirthful. The curtain will be up presently, and he will be turning over head and heels, and crying, 'How are you?' A man with a reflective turn of mind, walking through an exhibition of this sort, will not be oppressed, I take it, by his own or other people's hilarity. Look at the faces of the actors and buffoons when they come off from their business and Tom Fool washing the paint off his cheeks before he sits down to dinner with his wife and the little Jack Puddings behind the canvas.

Yes, this is VANITY FAIR not a moral place certainly nor a merry one, though very noisy. There is a great quantity of eating and drinking, making love and jilting, laughing and the contrary, smoking, cheating, fighting, dancing and fiddling there are bullies pushing about, bucks ogling the women, knaves picking pockets, policemen on the look-out, quacks (OTHER quacks, plague take them!) bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind. BEFORE THE CURTAIN As the manager of the Performance sits before the curtain on the boards and looks into the Fair, a feeling of profound melancholy comes over him in his survey of the bustling place.

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